Just a quick look at some of the most recent things I have done...
As mentioned before, I have done a considerable amount of stage visuals for the Crime tour last year. During the course of that tour we didn't want to put out too much of it on the internet, but since now they are touring with a different program I have to admit: I'm too proud of them to let them go unmentioned.
And why not start with what I consider to be my favourite work yet.
The visual to the song "The Call" was inspired by a 2012 commercial for a french department store featuring Catherine Deneuve. It used different shades of grey as colours are usually used to create a psychedelic effect. I took this idea and played around with it a bit, creating a fantasy language and epileptic flickering along with graphic rhythms common to 1990s music videos.
Quite unexpected by me, the visual for "Frame by Frame" proved to be one of the most popular ones out of the 35 minute program. Snake skeletons and found footage of open heart surgery seem to make for an attractive combination.
Aside from the visuals, which allowed a quite experimental approach to clip making I also worked in more conventional ways as I directed two more music videos during the last months.
Jim Hickey's debut video "Everything" was shot over three days in a room full of strings and edited over many weeks. Anne Haight's debut clip "Seaside" also took three days to shoot and was edited (and I know how posh this might sound) in Tuscany as I didn't want to edit it in grey Berlin. Flights and accomodation were cheap and the view beat the one out of my busy room.
